Bridging the Western art world and the West African film industry, London-based artist Doug Fishbone cast himself as a local farmer in the film Elmina, a feature-length movie shot and produced in Ghana and starring well-known Ghanaian actors. The over-the-top story is rife with witchcraft, murder, and intrigue as the characters battle against corrupt multinational corporations, but it all pales in comparison to how bizarre (sometimes painfully and sometimes amusingly) it is to watch Fishbone, “a white Jewish guy from New York,” play the lead role without any reference to the overtly odd casting choice. “In a quietly radical way [it] completely overturns conventions of race and representation,” he says. Adding another level of interest is Fishbone’s choice to release the film throughout Africa on DVD–planting one foot in mass-media–as well as to put it on limited display at the Tate Britain and Rokeby galleries in London–planting the other in the more limited art world.

From the little I’ve read I like the politics behind this project, but I’d like to hear what others think of it.  Here’s the film’s trailer:


[youtube=http://www.youtube.com/watch?v=3VdcYp8neDg]

Via [H/T: Nerina Penzhorn]

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.