The documentary “Dear Mandela,” about three young leaders of a shack dwellers movement in Durban, South Africa, is finally here. The film will premiere at Durban International Film Festival–the first screening is on the 26th July. According to filmmakers, Dara Kell and Christopher Nizza, the film will also embark on a national tour in South Africa before screenings here in the US. If the short version of the film is anything to go by, it should be good. In that film, one of the youth leaders, Mnikelo Ndabankulu, speaking after a fire that destroyed 200 shacks in his neighborhood, refers to government supporters, says: “They say, ‘Why are these people marching because these times [of oppression] have gone. We are in a democracy. What are they marching for?’ [However] the real motive behind our struggle is this thing [pointing to conditions in his squatter community]. It is not a matter of fame, it is a not a matter of power hunger. It’s not a matter of disrespecting the authorities. It’s being serious about life. This is not life.” Then, channeling Mandela’ single-mindedness before he was sentence to life in prison in 1964, Ndabankulu says: “You don’t need to be old to be wise. That is why we think we need to show our character while we are still young so that when your life ends, it must not be like a small obituary that said, ‘You were born, you ate, you go to school, you died.’ When you are dying you must die with credibility. People must talk about you saying good things, saying you were a man among men, not just an ordinary man.”

More information and future screenings times here.

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.