Africans in New York City

"Afro-Spectacle," a music and film event by DJ collective, Dutty Artz, explores the working class African immigrant experiences in the city.

A promotional image from "God's Own Country."

The film, “God’s Own Country,” by director Femi Agbayewa, presents the story of a young Nigerian lawyer who immigrates to New York City only to discover that life in America is not what he hoped.  A mix between an American hip hop gangster flick and a Nollywood drama, the film is a great initiation into the West African film industry for an American audience unfamiliar it.

A public screening of the film is happening on February 1st, at the Spectacle Theater in Williamsburg, Brooklyn. It will form part of “Afro-Spectacle,” hosted by my Dutty Artz brethren, DJ Rupture and Lamin Fofana. Before the screening, they will host a special 2-hour live radio show around these themes. African music videos purchased in the corner stores of New York City, will be projected throughout the show for those present.  The broadcast will also be carried live on WFMU, the  East Orange, New Jersey, community radio station.

The theme of the night dovetails nicely with my own project, African in New York, which is out due out February 21st.

Femi Agbayewa is currently in London developing his television series “Brooklyn Shakara,” so he won’t be able to make it in person.  The space is limited, and it’s first come first serve. If you can’t make it, check us out live, or listen back to the archived show on Lamin’s The Embassy and Rupture’s Mudd Up pages.

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.