The best sports films have no play in them

Tunde Kelani's "Maami," a tale about a former professional footballer, is bold and stylish film-making, and it deserves  a wide audience.

Tunde Kelani, director of "Maami" (Image: NYAFF).

The secret to making a good movie about sport is to make sure there isn’t any sport in it. Remember ‘Invictus‘? Remember ‘Goal‘? Exactly. Distinguished Nigerian filmmaker Tunde Kelani must have known this, because there isn’t any sport in his film, ‘Maami’, even though his hero, Kashy (Wole Ojo), is a global footballing superstar who plays for Arsenal F.C.

Adapted for the cinema from a novel by Femi Osofisan, ‘Maami’ is the story of Kashy’s return to Nigeria in the weeks leading up to the 2010 World Cup. A football-mad nation is wild with speculation about whether or not Kashy will decide to finally play for the Super Eagles and lead Nigeria to certain victory in South Africa, but Kashy has other things on his mind. He returns to Abeokuta, his childhood home, and begins to piece together his bittersweet early years growing up in poverty with his mother. Old and painful memories are stirred up, and must be confronted.

Ayomide Abatti (the young Kashy) and Funke Akindele (Maami, his mother) offer rich and tender performances, and work brilliantly as an on-screen pair. Kashy’s story is interwoven with sharp social satire, beautifully rendered impressions of Lagos and a superb soundtrack – there’s even a cameo appearance by highlife master Fatai Rolling Dollar. This is bold and stylish film-making, and it deserves  a wide audience.

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.