This year’s International Film Festival of Rotterdam has a big selection of new African films scheduled. The festival runs until next weekend so if you’re anywhere near, go check it out. Thankfully, most of the films (documentary, short, long fiction) have more than one screening date. The introductory blurbs come courtesy of the festival’s website.

Walk With Me (Johan Oettinger and Peter Tukei Muhumuza). Uganda, Denmark. “This complex, sometimes dark short film skillfully combines animation and feature film techniques. The two directors were brought together as part of the Copenhagen documentary festival’s Dox:Lab project. Walk with Me was shot in Uganda and completed in Denmark. A young girl in Uganda dreams of being a ballerina …”

Shoeshine (Amil Shivji). Tanzania. “A colorful and light like a comedy, but the maker also provides social commentary on Dar-es-Salaam’s society and his country, Tanzania. The story is set in a street where a shoeshine man and a bar owner symbolize the rest of the world.”

Salvation Army (Abdellah Taïa). Morocco, France. “A young Moroccan writer filmed his own book, telling his life’s story. About a boy in Casablanca who finds out you can earn money through homosexuality and about a student who, poor, cold and alone, knocks on the door of the Salvation Army in Europe.”

B For Boy (Chika Anadu). Nigeria. “A drama that bucks the familiar Nollywood trend. A contemporary, detailed narrative about a woman who takes extreme measures to give her husband a son.”

Berea (Vincent Moloi). South Africa. “Long after friends and family have moved away from a notorious Johannesburg suburb, Jewish retiree Aaron Zukerman lives there in his ever smaller, darkening world. An unexpected visit on Friday breaks Aaron’s routine and sets off cautious assimilation.”

Chigger Ale (Fanta Ananas). Ethiopia, Spain. “People are dancing at the neighborhood bar Fendika in Addis Ababa, but it goes quiet when Hitler walks in. Only briefly, mind you, as it’s soon time to play a practical joke, like pulling the fake mustache off the little guy in uniform. He’s not amused.” Yes, that sounds far-out. The trailer doesn’t reveal much more.

A Hole in the Sky (Antonio Tibaldi and Alex Lora). Somalia, France. “A document providing insight into the mind of a rural Somali girl. She accepts that tradition demands that she has to make a great sacrifice. The boundary between fact and fiction dissolves thanks to the poetic voice-over.”

A Letter to Mohamed (Christine Moderbacher). Tunisia, Austria, Belgium. “A Personal report from Tunisia two years after the revolution. Many people are disappointed, but they still hope that they will gain freedom and justice and that the tourists will return. What is freedom actually like? Traces of revolutionary zeal about to ignite against this background.”

Rags and Tatters (Ahmad Abdalla). Egypt. “January 2011: Egypt is in the grip of revolution. Asser Yassin escapes from jail only to end up in a country he no longer recognises. Rags and Tatters does not feature mass protests on Tahrir Square, but rather a general sense of threat.”

It’s Us (Nick Reding). Kenya. “Convincing proof that an educational, political film made in Africa (Kenya) can also be good fun. Even comical. A nonchalant mix of film and theatre, inspired by the election riots of 2007: on mistrust in a fragile community.”

There’s many more, including some older ones that haven’t been shown all that often in the Low Countries. Check the full program (neatly sorted per continent).