ZANU’s neo-liberal turn (again) and the Shutdown in Zimbabwe

How to make sense of the early 2019 protests in Zimbabwe.

Blocked drains in Mbare, a section of Harare, 2011. Image by P. Feiereisen via Flickr CC.

Internet/social media remains shut down. Shops closed, schools closed, no public transport, petrol stations closed. Food fast running out in homes. Robert Mugabe International Airport open, but flights disrupted. Acting pres Gen. C. Chiwenga silent.

– Tweet by Dewa Mavingha, the Southern Africa Director of Human Rights Watch, himself a Zimbabwean.

Zimbabwe’s government closed down social media sites by Wednesday morning, 16 January. And according to reports security services are conducting a systematic crackdown on the widespread protests over a 150 per cent increase in fuel duty. Over the last two days, Zimbabwe’s police and military have killed five people and wounded twenty-five more at least, with some estimates far higher. The extent of this crackdown and how it will all end up remain unclear. We do know that this crisis is not just a political contest between the ruling ZANU(PF) and opposition MDC parties, but a widespread response to the government’s attempt to restructure the economy. The immediate cause of the protests—the decision to slap such a huge tax increase on fuel—is in line with President Emmerson Mnangagwa’s stated policy of “prosperity through austerity.” In adopting these reforms, he makes no bones about following in the footsteps of Margaret Thatcher’s neoliberal restructuring of the UK economy in the 1980s.

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.