Red and Black
Yunxiang Gao’s new book takes a fresh look at connected lives of African American and Chinese leftist activists, artists and intellectuals after World War II.
Yunxiang Gao’s new book takes a fresh look at connected lives of African American and Chinese leftist activists, artists and intellectuals after World War II.
The world has changed significantly since the 2008 financial crisis. But the roots of today’s disorder, stretch further back than we think. This week on the AIAC Podcast, we discuss.
In the early 1970s, Walter Rodney, expelled from Jamaica, took a post in Tanzania. In Leo Zeilig’s new book, he captures those exciting, but also difficult years and how it formed Rodney.
The cultural boycott of Russia turns to the flawed precedent of apartheid South Africa for inspiration, while ignoring the much more carefully considered boycott of official Israeli culture by the BDS Movement.
The first book collection dedicated to contemporary Black South African feminist perspectives has seen the light. One of the editors breaks down the content.
Soccer academies in Africa sprang from European club interventions with varied success, but, as examples in Ghana prove, they can be sites of local, entrepreneurial spirit.
Why are Kenya's ruling family trying to reinvent themselves as friends of Mau Mau so many years later?
Marcel Paret’s book, "Fragmented Militancy: Precarious Resistance in South Africa after Racial Inclusion," tries to make sense of politics in South African urban informal settlements.
Why would African Christians in the West, discriminated against in Europe and the United States, embrace views that marginalize not only others but also themselves?
Between melancholy, terror, and disillusion, Petit Pays is a groundbreaking and eye-opening take on one of the darkest pages of African history, one that is often misunderstood in the West.
The death of Paulo Lara warrants an appreciation of his and his family’s contribution to preserving the documented history of Angola’s liberation struggle.
A people’s history of Zimbabwe’s first mbira punk band, Chikwata 263, who wanted a soundtrack for the country’s post-post colonial blues.