Bua Komanisi
Despite its proud history, the South African Communist Party has recently taken a backseat in South African politics. Understanding its roots helps us understand how it got here and what it will take to be rejuvenated.
Despite its proud history, the South African Communist Party has recently taken a backseat in South African politics. Understanding its roots helps us understand how it got here and what it will take to be rejuvenated.
The intergenerational traumas of an anti-Black world in August Wilson's Fences are only too familiar to South Africans.
The Senegalese director, Safi Faye’s classic 1996 film, Mossane, is a love tragedy and a spiritual quest in Sereer land.
The excessive reporting of the interplay between non-African powers in the Sahel—however crucial it may be to understand regional dynamics—betrays a Western-centric bias in international news coverage.
For many African immigrants in the United States, being seen as Black doesn’t necessarily equate to seeing oneself as Black.
South African jazz drummer Tumi Mogorosi’s latest project is a call to black people to share the questions that render our condition one of deep ache.
In ‘Black Girl’ (1966) and ‘Cuties’ (2020), M'Bissine T. Diop is a cautionary figure who warns of colonialism's wounds and afterlives for Black girl belonging in the present day.
On the publication of his book on black life on the margins, the South African author reflects on work that expand the meaning of being black on the world.
The UKs deportation pact with Rwanda is being likened to a "human trafficking deal." It reflects the state of Rwandan politics.
A new film by documentarians Sara Newens and Mina T. Son shows yet another way in which nature is enlisted to marginalize Black communities.
In light of Vladimir Putin’s war in Ukraine, Africans again grapple with the histories of Soviet—and then Russian—connections.
With the working classes down and out, it is arguably the middle classes that will play the more decisive role in African politics going forward.