Out of the pigeonholes
A Nigerian play and its leading man confront western misrepresentations.
A Nigerian play and its leading man confront western misrepresentations.
For immigrants—especially African and black immigrants to Western countries—the question of home is complex.
South African film production house kykNET's dominance skews storytelling on the country's screens.
While Sisulu's political career is less celebrated than Nelson Mandela, it was as remarkable.
Decolonizing museums requires more than knowledge exchange and lending back stolen artifacts.
The world is out of joint and Immanuel Wallerstein, one of its great public intellectuals, has left us—albeit with tools to battle the dying kicks of capitalism.
A new film by Aiwan Obinyan explores the origins and "ownership" of a now-famous cloth.
Riason Naidoo talks to the curator and editor of a book and traveling exhibition about the work of the legendary, 90 year-old Ghanaian photographer.
Reflecting on white joy, black celebration, and the meaning of the Springbok win at the 2019 Rugby World Cup.
After having a heart attack, a white American falls in love with his Nigerian nurse in the CBS TV sitcom, Bob Hearts Abishola. It is also about Nigerian-Americans’ visibility on mainstream US television.
We should not let the achievements of a multiracial Springbok rugby team, led by its first black captain, be commodified and commercialized in the service of neoliberalism.
Historian Marissa Moorman wrote an important book about radio and modern state power.
The late Springbok rugby wing's legacy needs to be sustained, and the hope that he represented is perhaps more critical than ever.
A conversation with the founding editor of Bakwa Magazine—created to amplify new writing from Cameroon and from the African diaspora.
Medical anthropologist Julie Livingston argues that the conditions of capitalist modernity in which we live are not sustainable and are leading to increased rather than lessened inequality.
What censorship about articles in a French journal tells us about the state of France-Africa relations, imperial legacies and the impact these have on the production of knowledge about Francophone Africa.
The island nation's celebrated political system was never a gift bestowed, but seized through sheer agency and hard-fought autonomy.
The late Mbiti is praised for indigenizing Christianity. However, his veneration of "African" tradition also served as theological justification for authoritarian rule.
The film BACK UP! and important conversations about state violence, racism, global imperialism, and, crucially, the internal workings of social movements.
A reflection—by one of the group’s artists—on a Swiss-South African art project exploring eviction and extraction.