south-africa

South Africa

Ponte City

The 54-storey building in Johannesburg, built in the 1970s, is the tallest residential building on the continent, and subject of a new photobook.

New Photography Book Depicts the South African Social Landscape

Between 2012 and 2013, an exercise took place known as the France South Africa Season. This bilateral initiative was aimed at strengthening relations between the two countries. In 2012 South Africa hosted France for a wide range of activities and vice versa in 2013. The activities took place in different areas of each country, covering […]

The “Apartheid-era Robin Hood”

I wrote a long piece on Zola Mahobe, a Soweto businessman who died last December (two weeks after Nelson Mandela) and who is credited with transforming Mamelodi Sundowns. The team is currently one of the “big three” South African football clubs and is owned by Patrice Motsepe, the best example of a postapartheid oligarch: he […]

File Under: Mahmood Mamdani on South Africa’s much vaunted Truth and Reconciliation Commission

Because the (South Africa’s Truth and Reconciliation Commission) focused on perpetrators and overlooked the beneficiaries of mass violations of rights abuses – such as the pass laws and forced expulsions – it allowed the vast majority of white South Africans to go away thinking that they had little to do with these atrocities. Indeed, most did learn nothing new. The alternative would have been for the TRC to show white South Africans that no matter what their political views – whether they were for, against or indifferent to apartheid – they were all its beneficiaries, whether it was a matter of the residential areas where they lived, the jobs they held, the schools they went to, the taxes they did or did not pay, or the cheap labour they employed.

To Be Young, Angry and Black

The face of Julius Malema’s Economic Freedom Fighters in South Africa is young-ish and black. Their “redistribute now” missive has earned both valid and lazy criticism. Their tone is perceived by many to be “dangerous” and “irrational”. For Ramphele, the red-beret clad young man from Rustenburg should have been less respectful towards her. For he is “young, angry and black”. The faceless trope deprives him of agency; he is driven by dangerous impulses and anger; he is one within an uncontrollable mass, predestined to produce instability. He is a threat. In a country that oscillates between the haze of Rainbow Nation-ism and the reality of economic exclusion – “young, angry and black” is a good scarecrow.