alejandro-jaramillo

3 Articles by:

Alejandro Jaramillo

Alejandro Jaramillo is a photographer, documentary filmmaker and anthropologist based in New York City.

Na Moita–Photographing the Settlements of Rio de Janeiro

Na Moita" is slang in Rio de Janeiro, Brazil, for an action that cannot be carried out in the open. It literally translates to "in the bush,” and it is normally associated with delinquent activity, but also with anything unusual.

In the Baixada Fluminense – that is, the northern, most populous area of the Greater Metropolitan Area of Rio de Janeiro – life is often times at odds with city planning and other abstract notions, such as laws.

Morar” is a Portuguese verb rich in connotations--it can mean “to reside,” “to abide,” “to live,” “to settle,” and “to occupy,” depending on the context--and it captures essentially the status of the inhabitants, or “moradores,” of these communities: some occupy, some others reside, few abide by the rules, and all live together thanks to interim agreements amongst themselves. For example, such is the case with the drug-dealing gangs that fuel the relentless confrontations with police, which have ended in blockades made of unused furniture.     

Along with some students and staff from The New School in New York, I visited the Parque das Missões and Vila Beira Mar, two of the most prominent examples of slum habitation in Rio, according to local NGO Teto (which is known throughout Spanish-speaking Latin America as “Un Techo para mi País,” a Chilean transnational organization that mobilizes young volunteers to fight poverty).

Teto was there to accompany us throughout all the process. By association, people in the communities did not question much the fact that we were taking pictures, since the organization would always send media teams to document their housing intervention projects.

The living conditions were dire, electricity would disappear every time it rained, and the clogged drainage would cause major floods, not to mention serious sanitation issues. However forsaken the community seemed to our group, each individual that we spoke to was perfectly content with their community and the strong ties that bind it together: It was a settlement (or “assentamento,” which, in its etymology, signals to an agreement) that they all had created in the face of pressing difficulties. Needless to say, most assentamentos do not have a housing permit from the local prefecture.

Perhaps more importantly, community members also spoke of how dependent they were of “Bolsa Família.” This social welfare program was perhaps the centerpiece of the Lula administration, also part of the larger Fome Zero federal assistance program. It reduced poverty by 27.7% from 2006 to 2011, and is often described as the most impactful program of its kind in the world. It is now under threat by the large scale protests and court challenges against the Worker’s Party (Partido dos Trabalhadores) government.

Without Bolsa Família, the lives of the people of these neighborhoods would dire, and they would maybe be confronted with other decisions to be taken “na moita.”

These photographs, below, taken with a manual focus analog compact camera in black and white celluloid (a lot of focus hunting went on), are themselves as makeshift as the structures and situations that they intend to document; they portray the precarious material conditions and the way inhabitants bypass implicit or explicit norms to adjust to the ever shifting social dynamics, urban environments.

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At the Heart of the West Indies Parade

In New York City, Labor Day is associated with the West Indies Carnival. This enormous parade is a magnetic force that attracts, on average, one million spectators every year. It is not a space to talk about labor or exploitation. It is a massive celebration of Caribbean culture and heritage. The carnival takes place in Crown Heights, East Flatbush, and other surrounding neighborhoods of Prospect Park in Brooklyn, where many West Indian families are resisting gentrification. Mists of smoke grill and the strong aroma of curry surrounds the parade. While people eat, trucks loaded with speakers blast every possible genre of Caribbean music, from reguetón club hits to hip-shaking gospels. This creates an ambiance carnivalesque unrivalled by other festivities in any of the five boroughs of the city. This carnival used to take place in Harlem––once a beacon of African American culture and African heritage in the US. Harlem lost the permit to host the carnival in 1964 due to disturbances. A fact that is perhaps more telling of the political climate than of what the carnival has represented throughout its history: imagine the plausible occurrence, in the minds of officials, of an energetic celebration of African heritage and miscegenation, joining forces with the then growing protests spurred by the Civil Rights Movement. But the Carnival resisted, and it moved to Brooklyn. A less known festivity that is paired with the carnival, J’Ouvert (or Jouvay, which is creole for open day) breaks out at midnight with drums playing on Flatbush Avenue and then disperses until the dawn of Labor Day. This festivity is not only of great importance due to its ritual significance, but also because it is celebrating the  emancipation from slavery. The festivity is tied historically to representations of disruption of social norms and the establishment. While mainstream media tends to focus on episodic gang-related violence surrounding the carnival (especially during Jouvay), this photo essay attempts to portray the many facets of this massive celebration. Cultural pride, diversity, familial and ancestral ties are at the heart of this parade. Not to mention a surge of creativity. IMG_4152 IMG_4236 IMG_4187 IMG_4305 IMG_4256 IMG_4265 IMG_4335 IMG_4291 IMG_4283 IMG_4316 IMG_4295 IMG_4407 IMG_4401 IMG_4464 IMG_4443 IMG_4377 IMG_4471 IMG_4419 IMG_4457 IMG_4496 IMG_4529 IMG_4517 IMG_4537 IMG_4516 IMG_4531 IMG_4553 IMG_4543 IMG_4559 IMG_4599 Follow Latin America is a Country on Twitter and Facebook.