So that the victims do not die a second time
To put an end to general indifference about the 25 years of political violence in DR Congo, filmmaker Thierry Michel chooses to show the worst atrocities and to name the war criminals.
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Sara Hanaburgh is a scholar of African cinema and literature and a literary translator. She teaches at Fordham University.
To put an end to general indifference about the 25 years of political violence in DR Congo, filmmaker Thierry Michel chooses to show the worst atrocities and to name the war criminals.
The CFA franc, pegged to a strong Euro, penalizes African economies as well as regional trade and facilitates the development of Western multinationals.
Nigerians fleeing extremist violence at home take refuge across the border in Niger among an already fragile population. Together they proceed to carve out a way to live better lives for now.
Activist Blondin Diop and artist Samb are exemplars of Senegal’s post-independence promise and crisis, marked by the global uprisings of May 1968. Mustapha Saha was a friend to both of them.
In the era of market-driven streaming, what are the pitfalls and potentials for African cinema?
An interview with Kate Gondwe, Founder and President of Dedza Films, on a groundbreaking distribution initiative committed to supporting the next wave of emerging filmmakers and communities.
An interview with the filmmakers, Ousmane Samassekou and Aïcha Macky, about their films: two stunning documentaries creating new narratives about migration.
Imagine if African films could enjoy shooting and editing on the continent, uninhibited by national and international politics.
The performative documentary ‘Sun of the Soil’ restores the historical record of the ‘great king’ of Mali, Mansa Musa.
Director Mahamat-Saleh Haroun utilizes the fluid space of the Sahel to demonstrate the power of cinema as a limitless art.